This is a thriller where the twists really make the book, so I’m just going to talk about the vibes, not about any actual plot events that could spoil it.
I knew the format was going to be Joe manipulating and murdering his way into his beloved’s life, and as usual, the tension comes from whether Joe’s coldhearted quick thinking will win, or if he’ll eventually get caught, perhaps with a tiny careless mistakes. By this point in the series, I was sort of wondering if anyone would notice the string of disappearances and mysterious deaths in Joe’s past. The book doesn’t disappoint, with more of angsty, murderous Joe killing his way to true love.
Still, overall I didn’t love this one because there are too many long speeches about writing and genius, and I was on Team Nobody. I would have been OK if Joe decided to off the entire cohort of writers and teachers, just to put an end to the monologuing on Fiction and Art and Creativity. I found myself skimming, which didn’t happen to me in the earlier books, and I was reading this eARC on a long train ride, so it’s not like I had anything distracting me. This skimming might just be me, because the sections on writing and creative power and process also gave me eyerolls in The Writing Retreat (and ALSO gave me eyerolls every time I was assigned a process book for my real MFA). So let me know how you feel when you read this one.
Ellen Barker’s upcoming novel Still Needs Work begins with a layoff. Marianne wasn't particularly invested in…
I wanted to read this because I'd absolutely loved Taffy Brodesser-Akner's first novel, Fleishman is…
I really wanted to read this Best American Science Fiction and Fantasy 2023 collection because…
I'm just gonna lead with it -- I think The Murder on the Links is…
Ghost Station, by S A Barnes, is a new space suspense story. The novel's tension…
Dark Tales of Whimsy is a new short fiction collection from Endless Ink Books. I've previously…